For a child artist in particular, I think that it’s important to give him the proper framework and nurturing to grow, but at the same time, allow him to grow and develop his own identity. My coaching and mentoring techniques involve giving him a certain amount of structure/schedule, but providing him with the freedom to explore, learn, and improvise within those schedules. I still work with him largely the same way that I did when I first noticed his gift, when he was around 6 years old and we were living in Indonesia. Very little about our relationship has changed. How has the nature of your relationship with your son changed since his success? Part of being an effective coach/mentor is to be a positive example, and behind humble is part of that. Ball and me need to remember that our mentees are children too. At the end of the day, professionals like Mr. Sometimes, that requires putting our own ego aside. I imagine that he and I face some of the issues, in terms of balancing our responsibilities as a coach and mentor to gifted children, and maintaining a professional career as a coach/mentor. From what I have read, he strikes me as a great coach and mentor to his sons. I know very little about sports or about Mr. As a parent and mentor of a talented, famous kid, what do you think of people like LaVar Ball? Individuals like LaVar Ball are often criticized for their own statements and behaviors. Parents of renowned young people often make headlines for their own antics. For gifted children especially, I believe that the element of fun is important to enabling the child to reach his full potential. Joey has a natural gift for music, but I have spent many years working with him to develop his skills, techniques, and his personal “sound.” Part of my process is to make sure that the progress both skillful and joyful. How do you feel about that sort of claim? It would be difficult not to attribute much of your son’s success to your own efforts as his coach/mentor. There’s an art to nurturing young talent, and Denny will tell you all about that below. and then I would just practice it, try new stuff I haven't tried before.Denny Sila is the father and coach of Indonesian jazz prodigy Joey Alexander, who is perhaps most well known for his DC performance that garnered viral attention. "I always try to practice my feelings because in this music it's not just technique, it's just the feeling of how you play and the freedom that you can give," said Alexander, who sits at the piano keyboard two to three hours every day. "Me and my dad would listen these tunes, especially 'Countdown' - it's really hard to play." Alexander recorded the Coltrane hit song for the album, which will be released on Sept. "I've been hearing them since I was little," he said. He began teaching himself Thelonious Monk's 1944 jazz standard "Well, You Needn't." Alexander's new nine-track album features covers from jazz greats such as Billy Strayhorn and John Coltrane. "I'm thankful for the gift that God has given me to play this music that I love." Alexander started playing the piano at age six when his parents gave him a mini electronic keyboard. "I don't think I'm a genius," said Alexander, who moved with his family to New York in 2014 to further his musical development. jazz legend's visit to Indonesia, remains modest. But the Bali native, who at the age of eight had impressed Herbie Hancock during the U.S. Now, at 13, Alexander has a second album, "Countdown," which he said shows more exploration. (Reuters) - In the first decade of his life, jazz pianist Joey Alexander released his first album and became the youngest person ever to be nominated for a Grammy at age 11.
0 Comments
Leave a Reply. |
Details
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |